I know artists are supposed to write/paint/create from their pain, but it never works for me. If anything, it makes my writing worse, downright pathetic. What sounds good or interesting or adventurous in my mind when I’m sad, depressed, or stressed never comes out good on paper. Do any of you have this experience or can you work/create from pain? Do you feel that personal pain gives your work a certain je ne sais quoi?
The other morning I daydreamed instead of getting up to start my day at the usual time. I ran a scenario through my mind in relation to both a book I’ve contemplated writing (international suspense) and some life-changing events currently making my life way more challenging than I’d like (or can handle). The dialogue was West Wing-esque, one-liner banter between me and a male protagonist who I turned into not much of a protagonist after all. When I did finally arise, I thought about putting it on paper later in the day (I like to write after dinner, as I am now), because it sounded like it would be a good alternate beginning to the suspense novel.
The words flowed from my fingers. I struggled with a bit of the dialogue, trying to remember exactly how I’d envisioned it earlier, to get the feel of the scene just right. I tried to seamlessly weave it into the suspense book as a prologue to what I’d already written. That didn’t work. So I thought I’d try it out as a separate chapter that would explain my how main character got dragged into the mess happening in the book. That didn’t work either. As I read and re-read the three or so paragraphs, the words seemed lifeless, dull, and inadequate. The main character (a facsimile of me) sounded even worse on paper than what had been in my mind that morning. She was supposed to be someone down on her luck who happens across this man and together they become involved in a tangled web of deceit complete with mobsters, money laundering, extortion, and murder. I thought if I used my personal angst as the main character’s, she would come off as brave and high-spirited, facing danger and uncertainty. Instead, she came off sounding sullen and sarcastic, and completely unlikable. Absolutely paltry. Even I don’t like her and I’m practically her!
I haven’t deleted it (yet) but I have decided to stick with the original opening. Maybe I can work it in somewhere, maybe not. Maybe I’ll keep it for now, as a reminder of what not to write. Or to not write at all when I’m not in a good place. For me, no pain is definitely gain – it’s when I have the most “juice.” Seems I write best when I’m feeling on top of the world and nothing or no one can bring me down.